Every next trip any day into Taadi’s underground music side will give you a new good vibe that will get you back another time for more new music. It much has to do with the unique dialectical flair the Taadi artistes spit into their songs and that has been a hallmark of all of them–that’s just how Thirtn also does it to prove his Taadi originality to make a quick hint about his music tribe identity and state his difference when on a track with other non-Taadi artistes.
Thirtn drilled a deep enough Taadi-do into his collaboration with Fameye, the “Holiday” song that fetched into his young fan base more new fans and got him an increased listenership.
While Thirtn’s collaborations wouldn’t come cheap every release, as he is poised at putting artistes of great buzz on his feature tracks, he as well ensures that his content on a collabo is a sure match-up to his track’s guest’s. “Mi Lobi”, his recent work with Akhan, is a huge proof of his promising young artiste self and a smart nailing of another firm rung on his musical career ladder.
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What Thirtn has in common with Kofi Kinaata isn’t just a mutual Westside origin, but it also has these secondary similarities that got people saying both sound alike off a comparison of vocality and style delivery.
There’s no copying intended when Thirtn sounds like Kofi Kinaata. “Everything is natural”, his team debates the public.
Right under Charlton Entertainment, Thirtn has made 4 good releases: “Holiday”, “Sika”, “On God” and “Mi Lobi”.
He’s worked with producers like Paris Beatz, Baddest and Option Beatz.
Of Thirtn’s prime genre, Hi-Life gets the mention…but he is critically predicted to be making future cross-genre exploits to stay versatile and ever-relevant as he journeys on.
